Psalm 47 is cry for joy, and this song does justice to its expression. It uses a Makossa style, a local genre in Cameroon. The pace of the song might be a little breathtaking, yet it is the eagerness of it’s expression. The pattern is a give and take for the leading and choral response. This is a tipificación of how much we should share and exchange that we get from the Lord. The song has a regular movement that climaxes towards the end.

It is composed by Nsay ki la himself, and produced by him together with Chrisco Fon in Kumbo in 2018. The live guitar was done by Cedric Lucien, and vocals added by MCV.